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Katie

hhof-wolfman.jpgHere’s a short and sweet update on what’s going on at the Hatcher maison. Like how about our new baby, Katie? And an opportunity for listeners to reach down deep to see if they have any suggestions for show topics. Like how about liminalism? “The threshold people,” as Criswell would put it. People, places, and things which sit at the border between two worlds. Like Christ, who is both God and man. Or like men, who are both spirit and flesh. Or like the Wolfman, as we see him here in one of his stranger incarnations. Anyhow, if that sounds interesting, place your vote here at the blog page by posting a comment. Or if you have an idea of your own, post a comment. Thanks!

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MST3K1.jpgOur tribute to Mystery Science Theater 3000 goes out with a bang as Lint delves into the mysteries of satire, pop culture, and that time Tom Servo sang to his pet turtle, Tibby, for a full five minutes. Meanwhile, Susan is having a baby — tomorrow! Yikes! That makes baby number four! Yikes! The current three already drive us crazy! Yikes! We shall have to change and become more stern and paternal and “draw the line” and no longer “put up with that crap” in our tiny (very tiny) maison - just to create some kind of groundwork for peace and quiet and mutual respect and less screaming! Yikes! Susan has suffered from post-partum complications in the past, but the meds are ready to go! Yikes! We are just a couple of crazy Catholics who actually paid serious attention to Humanae Vitae, Pope Paul VI’s big time letter about contraception linked here! Yikes! Which makes us crazy even among Catholics! Yikes! But if we had dissented because of Susan’s post-partum problems we wouldn’t have Sarah and Holly now! Yikes and double yikes! Please pray for us in our odd combination of seriousness and silliness! And blessings to all the members of Best Brains, Inc.

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Welcome to part two of our tribute to Mystery Science Theater 3000 in happy acknowledgement of the show’s 20th anniversary (sorry for this week’s delay). The great debate continues between those who feel the show is cynical and those who feel the show is perhaps only slightly cynical and those who believe the show is just plain fun and those who… well, you get the idea. As a very distant girlfriend once said to me, “You LIKE to think, don’t you?” Boy, she had me pegged, didn’t she? So join me, your loyal servant and ever lovin’ pop-culture maven, as I LIKE to think about MST3K.

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MikeJoel.jpgFor many years, one of the great pleasures in life (in my life, at least) was watching Mystery Science Theater 3000. I remember one Thanksgiving, in particular, when they had a marathon of around thirty episodes. I was in fanboy heaven, scarfing down turkey and watching turkeys at the same time. Although some took offense at the jibes and riffs and such, I couldn’t help but enjoy Joel and the Bots, then Mike and the Bots, in their peculiarly painful dilemma: stuck on a satellite in space, forced to watch bad movies. It seemed a smaller version of our own dilemma, since Earth itself is a satellite in space, as it were, and we also are forced to imbibe so much inane, mind-numbing, soul-destroying stuff simply while driving to the grocery store: billboards, radio ads, road rash, the whole sense of swimming endlessly through a consumer culture which has drastically changed the human horizon. Sometimes, the best option is to poke fun at it all and thereby make it less omnipotent and omnipresent. With that in mind, here is part one of our two part tribute to Mystery Science Theater 3000. Thanks Joel, Mike and everybody else at Best Brains, Inc. (Of course, past episodes of the show are available in various dvd boxed sets and episodes unavailable in that form can be found online through various bootleggers making use of the “one collector to another” legal loophole. As they say, keep circulating the tapes!)

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FamousMonstersSpeakCDFrontMain.jpgIt’s our 2008 Halloween special, comparing classic and modern horrors and hearkening back to the glory days of monster fandom: the years when Famous Monsters of Filmland magazine could still be found on the magazine shelf at your local drugstore. God bless Uncle Forry, editor of FM, and Basil Gogos, frequent cover artist, both of whom are still with us so far as I know. (The image to the right here borrows from James Bama, I think, who did the art for the Aurora monster model kits.) I sort of trounce modern horror in this episode. Perhaps I should do a little more thinking about the subject, particularly the modern zombie film with reference to Kim Paffenroth’s book Gospel of the Living Dead and the essay collection The Undead and Philosophy edited by Green and Mohammad. Certainly the zombie has become the iconic monster of the late twentieth, early twenty-first century. Strange, though, that there is no particular actor celebrated for his or her performance as a zombie (isn’t that kind of strange?) as Karloff or Lugosi are still celebrated for their portrayals of the Frankenstein Monster and Dracula. It’s practically impossible to be a horror fan without a fave actor to hang your hat on — like Vincent Price, Christopher Lee, Peter Cushing, Peter Lorre, Lon Chaney, or even Angus Scrimm! Lord willing, a real horror revival will occur in years to come based on talented performers and directors.

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Linda Miller, a frequent participant over at the Universal Monster Army forum where people gather to discuss classic monster films and related subjects, recently passed away due to heart failure. I did not know Linda, but the various memorials left by her friends and fellow fans describe a wonderfully generous person. She was apparently yet another example of the Karloff Syndrome - that is, Forry Ackerman’s observation that monster fans have a tendency to be kind and gentle by nature. At least, that seems to hold true regarding the classic, spookier sort of monsters portrayed by Lugosi and Karloff and Chaney, rather than more recent creatures. At any rate, reading about Linda Miller introduced me to the fact that Linda Miller was quite a good artist, particularly regarding monsteriffic subjects. She worked in black and white acrylic washes. A gallery of her work can be found here. Linda Miller, rest in peace.

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Bigfootage

You guys have got to take a look at this: http://www.bigfootencounters.com/files/mk_davis_pgf.gif

This is the famous Patterson film footage of an alleged Sasquatch marching thru a section of forest. Well, come to think of it, a rather blasted, barren section of forest. Anyhow, the footage has been stabilized. The effect is very interesting. Doesn’t really clear things up any better, in my opinion. But it sure is interesting to watch. On my computer, it took a while for the series of images to download, but once they did it replays again and again with greater fluidity, as it were.

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This episode perplexes me. My intention was to try and explore Christian perspectives on suffering using The Mist as a sounding board — The Mist being a recent film adaptation of a Stephen King novella. Instead, I end up unpacking the religious “spin” to be found in the film, given religious weirdo Mrs. Carmody and humanist everyman hero David Drayton. I guess it’s difficult for me to talk about suffering when my family is having a tough time. Sort of like a sick man talking about nausea, or a man on a sailboat expounding on seasickness. Hmmmmm…. Anyhow, I’ll keep trying. CORRECTION: I said Nick Andros, a leader among the good guys in The Stand, was deaf and blind. That is incorrect. He is deaf and mute. He is blinded in one eye in the revised version of the book. My apologies - poor research on my part.

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Hello, folks. It’s time for part two of our Stephen King retrospective — which is actually spreading out a bit this time to become a general autobiographical look at mid to late twentieth century literary horror of the sort that once haunted library shelves in such anthologies as Whispers and Shadows. Wow, that was quite a run-on sentence.

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Anyhow, those of you who were introduced in the Seventies to writers like Manley Wade Wellman, Karl Edward Wagner, Hugh Cave, Frank Belknap Long, Russell Kirk, and artists like Steve Fabian and Lee Brown Coye will get a nostalgic kick out of this episode — while others will find new wonders to explore. I promise a more specifically King oriented finale next time with a bit of Flannery O’Connor thrown in the mix as well as specific reference to King’s recent film version of The Mist.

This episode is dedicated to Stuart David Schiff and Lee Brown Coye.

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SHOW NOTES

1. Intro - Celebrate suffering!

2. Stephen King bio

3. Was it timing?

4. Predecessors

4. “Encroachment”

5. Our brothers and sisters in pain

A new episode - only a few weeks since the previous new episode! What gives?

Another three parter, that’s what! This time we take a look at Stephen King, focusing in particular on the question which seems to haunt the pages of his novels, supernatural or otherwise.

The question is simply this: How bad can it get?

In our attempt to sneak past the dragon and reach the Father of Souls, surely the reality of suffering is the greatest stumbling block for many, many people. The horrors of the previous century alone were truly apocalyptic, worthy of an End Times scenario. How could anything be worse than Nazi Germany and its “final solution”? And yet, as society mulls over such advances as “therapeutic cloning” new horrors loom just over the horizon. Never heard of it? Well, let’s just say that therapeutic cloning is not therapeutic for the clone. In fact, he or she is grown, God knows where or how, so that his or her organs may be harvested systematically as ready-made transplants for those lucky people, the non-clones. So here you have genocide-of-the-future which involves creating the people targeted for mass murder.

At any rate, the stumbling block is obvious: how could you possibly trust a Father of Souls who permits such horrors? Why go to him at all?

Certainly, Stephen King is asking this question. Certainly, anyone who has seen the film The Mist has this question in mind as he clicks Stop on the remote. The film goes further down the road to nihilism than King did in the original novella, but it’s a logical progression based on all that came before — especially given the role religion plays in both film and novella. But I won’t spoil it for you. Except to say not since the original Night of the Living Dead has life been portrayed in such a stark, horrific light — the film is utterly tone deaf to the hope many of us have in God. But then The Mist is also somewhat tone deaf when it comes to humor. Perhaps there is a connection.

At any rate, we don’t get so heavy-handed in this first episode of our Stephen King retrospective. Instead, we sprint through his biography and touch a bit on the origins of King’s particular brand of spookiness and horror. Dig in!

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